For example, as I also experienced, not all DIY house members helped organise shows or other activities in their spaces. What is gained in this way is an experience of intimate and affective community (real interchange), creativity, active participation, and autonomy, and also a sense of active and productive opposition to a presumably non-effective and exploitative capitalist economic and social model existing in the larger society. Named in honor of cornetist Bix Beiderbecke and located off an alley near Jackson Square, BIX has been described as a civilized speakeasy, a supper club, and an elegant saloon, offering modern American cuisine served in a soaring two-story dining room to the strains of live jazz nightly. Its funny how people put on house shows and they do it because theyre compelled to create that space. Gibson-Graham (Citation2008) lists some of these diverse economies/markets. In jazz it had been exuberantly pioneered by numerous musicians. This summer, the city, and region will host jazz and blues concerts, festivals, and numerous free outdoor events including: The award-winning SFJAZZ Center opened in Hayes Valley in 2013 and boasts the 700-seat Robert N. Miner Auditorium and the 100-seat Joe Henderson Lab, showcasing the biggest names in international music and the best of the Bay Areas local jazz scene. As regards music, these processes emerged somehow organically through social and economic relationships established between DIY musicians and organisers. Third, the co-existence and interrelatedness of DIY/reciprocal and dominant/capitalist systems extends beyond a simplistic resistance vs power dichotomy. Moreover, this inserted our tour to a wider reciprocal network of DIY houses and spaces across the US and beyond, run by a large and intimate assemblage of DIY participants who mutually exchanged places and favours.Footnote7 Nonetheless, there was a disparity between DIY ideology and practice in the scene. However, while the link between DIY practice and lo-fi sound exists, it is also important to recognise that lo-fi aesthetics can reflect other causal factors, such as advanced studio manipulation, market calculation, and/or nostalgia for pre-modern simplicity (Hesmondhalgh Citation1999: 56; Oakes Citation2009; Sanden Citation2013: chapter 4). "Rock & roll" was the point of departure for the new music. By closing this message, you are consenting to our use of cookies. Additionally, there are numerous Jazz Festivalsthroughout the Bay Area during warmer months. It is the oldest nightclub in the neighborhood, and the dcor is reminiscent of turn-of-the-century splendor. Participation between different houses was further emphasised by doing things collectively, such as traveling together to shows, festivals, swimming trips, and karaoke nights, or through collective listening to music, work activities, or music and social event organising (see Figure 2). Band members often switch musical instruments and roles, and thus defy internal ensemble hierarchy (practiced already in the early 1980s by the Raincoats and Beat Happening see Baumgarten Citation2012: 78; Worley Citation2017: 188), and many foster collective group singing (following the example of Fugazi and similar bands). This is how Teague from Waffle house in NE Portland explained DIY reciprocity and communal living: Its about applying that kind of attitude to your whole lifesome people dont, some people are just like yeah, we have shows here but we dont apply that attitude toward anything else in our lives [], and sometimes you will play somewhere and its like really far-out neo-hippy communitywe have lands, and we grow our own foods, and have a lot of other community projects going on in [our] housea lot of houses that we played at [with his band] were really inspiring [in that sense] [] There would be people canning and processing food, making kombucha, making their own alcohol, [and having] screen printing shops, photo labs, art studio spaces built in the houses[there] would just be a house in a neighbourhood but there would be like nine people living there, and people [living] in the backyardjust every inch of house is utilized in a productive waylike in New York, it was like just a community living to an extreme in a couple of places I went to. A seminal venue in this regard is Gilman 924 (known also only as Gilman) in Berkeley, California. They explained that the area had a big enough pool [of houses] to be able to spread [the shows] out, so that no individual venue was made to feel overloaded (personal communication, 28 February 2012). While some houses (and DIY spaces) hosted festival shows, others provided shelter for out-of-town visitors and musicians (some guests erecting tents in the backyard of the Glitterdome house), and some collected and distributed donated or dumpster-dived food.Footnote8 Members from most of the DIY houses also either helped with cleaning, cooking for guests or with other small organisational tasks (see Figure 3), as well as actively participating as audiences at festival shows. I do it [organising shows] because I have a deep karmic debt to the scene []. [9] This questing bass quality has been wryly characterized as a "roving" (rather than the conventional "stay-at-home") style. We had this idea that it was a three-way tie [also the title of one of their albums] and not some hierarchy or aristocracy of guitar. Reciprocally, these local participants (i.e. A place known to have shows go late into the night, welcoming artists who have finished shows at other venues, the Boom Boom Room is a laid-back venue that attracts a younger crowd looking to dance the night away. All Rights Reserved. Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine. E.g. The history of San Francisco is deep-rooted in its bond with the Black community. They also reuse derelict and discarded capitalist products and in this way participate in transferring them from market to non-market value, consequently enabling their diversion from capitalist circulation. how many calories in 1 single french fry; barbara picower house; scuba diving in florida keys without certification; how to show salary in bank statement Local DIY scenes often work as collective efforts, achieved through reciprocal relations between the venues, houses and organisers that sustain them. DIY shows and records, bartering, borrowing, and DIY production of goods). The many bands that formed signalled a shift from one subculture to the next. These kinds of ideological tensions therefore often also serve as a form of micro-power to establish internal boundaries along the lines of ideological purity within the DIY communities and scenes (cf. 10 For another example of DIY egalitarian approach to music-making, by the 1980s and 1990s US group Fugazi, see Azerrad Citation2001: 392, 386, 401, 402. The house also incorporated four additional makeshift living spaces in the form of liveable rooms, three in the basement, and one in the garage. I show in this article how American DIY participants establish a whole alternative and parallel society with its own economic model, but which also reveals itself as very heterogeneous and in different ways interconnected with the dominant capitalist one. Appadurai terms these kinds of processes rituals of decomoditization (Citation1986: 26). However, in a seemingly contradictory way, this system possessively binds an individual to the scene, in turn creating social boundaries for DIY membership and belonging through the reciprocal expectation of active DIY participation (cf. Moreover, he demonstrates the self-critical nature of this discourse, and the tendency among some American DIY participants to verbalise and theorise the specifics of this alternative (own) economic system. 16 See, for example, Hesmondhalgh Citation1997, Citation1999; Gibson-Graham Citation2008; Eriksen Citation2010: 160, 161, 201, 202, 216; Giles Citation2014; Tausig Citation2014; Dean Citation2015; Otten Citation2015; Graham Citation2016; Taylor Citation2016: 15476; Kirsch Citation2017; Simoni Citation2019; Rawitsch Citation2020. For example, multiple north (N) and northeast (NE) Portland DIY houses joined together as a local DIY community to co-organise the second Gathering of Goof Punx festival in April 2012. You dont feel that communion. DIY performers therefore usually approach and sustain the DIY scenes through the practice of communal reciprocity, by playing for their own fun, and for the interests of the DIY community (horizontal approach), and not for their own individual interests in financial gain and mainstream success (vertical approach). Really thats just a fraction of why theyve been noticed. 6 For further discussion of the practices and ideologies of audience participation within American DIY scenes, see Verbu Citation2018. The above examples demonstrate how certain economic models and regimes of value can be refashioned into hybrid assemblages that combine approaches from two different economic spheres, and thus optimise the dominant system for the needs of local DIY participants (Sahlins, in Eriksen Citation2010: 185). Due to the gradual musical and social diversification of punk and post-punk scenes in the last 40 years, and the redirection of attention from genre and sound to particular (DIY) ethos within these scenes, the DIY label started to be more commonly used as a synonym or a substitute for the term punk in reference to these scenes (ibid.). Moreover, while there is a tangible tendency within American DIY communities toward reciprocal interaction in multiple social and economic aspects of DIY sociability, it is also acknowledged within the DIY scenes that this kind of alternative economy has its own limits. Merchandise sign at the Portlands Punx house show, 18 April 2012. 1511 Haight St. One of the city's live music gems, Club Deluxe, located at the famed corner of Haight and Ashbury Streets, presents a wide array of local jazz and blues bands, as well as monthly burlesque and comedy shows. Dylan and Jai ended their reply with the following words: [Dylan] that was a goal, when we moved in, hoping that we will be able to provide for people to do whatever creative project they might have in mind[Jai]like pool our resources with that in mind[Dylan]and not only do we give out, but people also bring in so much. For instance, group solidarity, as a socio-musical pattern, is also manifested in blues, 1960s psychedelic rock, heavy metal, and other popular music genres that are not necessarily rooted in the ideas and practices of American DIY communities.Footnote11 Thus, DIY notions and approaches to musical group solidarity might partially be understood in terms of residualFootnote12 practices from 1960s counterculture (folk, folk-rock, psychedelic rock, jam rock), to which punk and DIY culture, while discursively often rejecting it, owe many of their stylistic and socio-cultural traits.Footnote13. Nevertheless, the system of general reciprocity also keeps these DIY boundaries open, as it works in a seemingly non-obligatory way, in which DIY individuals themselves decide how and when these debts should be reciprocated. To learn about our use of cookies and how you can manage your cookie settings, please see our Cookie Policy. In Jennings account and Figure 5 we see how commodities such as records are diverted from the path of capitalist exchange and voided of market value during DIY shows to be transformed into objects of personal and collective use value (cf. DIY zines, comic books, and blogs from the whole US).Footnote3 This particular DIY culture is an outgrowth of late 1970s British and US punk culture, which later expanded into more transnational and heterogeneous scenes that today also encompass aspects of indie rock, experimental music and certain singer-songwriters.Footnote4 It also has ties to other similar formations, most particularly 1960s counterculture, and various historical and contemporary anarchist, feminist, and sustainability movements (cf. Both James and Chris thus emphasise the added value of such enclaved DIY shows. This tendency is highlighted in the liner notes to a 1987 compilation of Gilman bands entitled Turn it Around!, published in collaboration with Maximum Rockandroll, an internationally renowned DIY zine from San Francisco: These bands were chosen [to be on the compilation] because of their support of the [Gilman] Project [] The people in these bands can be found at Gilman at any given night [] They come to the meetings, work the shows, play the benefits and put just as much, if not more, into the club than they get out of it. American DIY participants therefore usually downplay or reject the notion of making it and strive toward community, collectivity, and intimate social cohesion.Footnote14 This is obvious, for instance, also in their willingness to play for small donations at shows, and in their rejection of major labels. In this way, they consciously acknowledge that DIY shows can exist both outside the capitalist system (as temporarily enclaved rituals of decomoditization), and at the same time, within the larger capitalist regime of value.Footnote19 DIY shows thus simultaneously counter as well as co-constitute a capitalist economic system.Footnote20. San Francisco has a long history with jazz music. 3 The research included several years of fieldwork in Davis, CA; nine months in Portland, OR; five days in Washington, DC; and 14 days each in Olympia, WA, Los Angeles, and Oakland, CA. Furthermore, DIY performers also usually reject the notion of making it, which is a concept that refers to musicians efforts to succeed in the competitive capitalist music market. He also gives advice about how to straddle both worlds, and how to pay up (reciprocally) for what bands owe to the community. The downstairs music space features live music nightly from a wide variety of local and touring artists. When I asked Rick Ele, who used to be one of the most active DIY organisers in Davis and Sacramento between late 1990s, and early 2010s, about the perception of making it within the DIY scenes in the US, he replied: I mean, a lot of people that don't know about underground music, they just think that every band is trying to make it. Get out your pens and spraypaint. 10 Iconic San Francisco Eats & Drinks That Every Visitor Must Try, Trip Idea: Take a Jimi Hendrix-Inspired San Francisco Trip, Little Known Facts About The Golden Gate Bridge, Everything You Need to Know About the Castro Street Fair, San Francisco Music Venues Rich in Black History, Where to See Jazz and Blues in San Francisco, History of Angel Island: The Ellis Island of the West. Appadurai uses the term tournaments of value to refer to those, often calculative, movements of paths and diversions that actors instigate in order to negotiate the value of circulating commodities (Citation1986: 20, 21). The long-term ethnographic research on which this article is based was conducted between 2010 and 2014, mainly on the West coast of the USA. Furthermore, alternative DIY socio-economic systems succeed in generating considerable symbolic, affective, material, and political value for DIY participants and scenes. Therefore, it is important to realise that the sum of all the aspects and dimensions of American DIY scenes comprise a complex and contradictory socio-cultural assemblage with its own potential for agency and affect.
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